The study of history, like that of literature or film, depends in large part on making sense of narratives, characters, and themes, all universal patterns repeating themselves in new situations and with new variations. As the world remains transfixed and increasingly galvanized by Putin’s invasion of Ukraine and the Ukrainian refusal to simply bow down… Continue reading Channeling Churchill, Leningraders, and Roberto Benigni
Writing for money?
When it comes to the question of how to write books for money, much has been written. The most half-hearted googling will unearth a treasure trove of titles purporting to teach you how to write the next bestselling novel or screenplay. Everyone in this confidence game appears to have a formula, not seeming to have… Continue reading Writing for money?
Literature takes a holiday
In the 1934 film Death Takes a Holiday, Death becomes human for three days so he can understand why people are afraid of him. This being Hollywood, he of course takes the form of a Duke, falls in love, and has to choose between letting his mortal love live but leaving her behind or taking… Continue reading Literature takes a holiday
Top Ten “Rules” of Writing
Write what you have to, not what you think you should because it will be popular, or will sell, or will win awards, or will make you look smart or otherwise good. You don’t choose your story. Your story chooses you. The most important thing is to tell the truth, even when you’re making things… Continue reading Top Ten “Rules” of Writing
Literary Thrills: In appreciation of John le Carré (1931-2020)
John le Carré is one of my handful of favourite novelists, a category filled with writers who have taught me something about the craft and whom I regularly reread. It is probably due to le Carré that one of my earliest attempts at novel writing was a thriller. It was not a Cold War thriller… Continue reading Literary Thrills: In appreciation of John le Carré (1931-2020)
Words to a young writer just starting out
What do you expect now that you’ve just published your first book with a small, independent, ideally respected press? That the whole world will open up to you and bow down at your feet? That your genius will be trumpeted and sung from every mountaintop or at least one well-known reviewer will not just say… Continue reading Words to a young writer just starting out
My debt to Richler
I didn’t have Mordecai Richler on my mind when I was working on my new novel The Art of Being Lewis. I was writing the story of a man’s apparently perfectly-constructed life disintegrating around him. And when I first began, I saw the story’s engine as being kickstarted by one or two great mistakes made… Continue reading My debt to Richler
Ten frightful fathers from fiction (on the occasion of Father’s Day 2019)
When Tolstoy wrote in Anna Karenina that “All happy families are alike; each unhappy family is unhappy in its own way,” he could have been referring to fathers in literature. In any Father’s Day list of famous fictional fathers, Atticus Finch from To Kill a Mockingbird leads the good father lineup. He’s a true role… Continue reading Ten frightful fathers from fiction (on the occasion of Father’s Day 2019)
The butler and the organ donor
In reading much about Kazuo Ishiguro’s Nobel Prize over the last year and the incredible subtle writing he has done to earn it, I’ve been surprised at the fact that no commentators, at least none that I have seen, have noted the incredible similarity shared by his two most well-known novels Remains of the Day… Continue reading The butler and the organ donor
The serious business of fiction
When one of my favourite writers, Kazuo Ishiguro, won the Nobel Prize for Literature earlier this month, I was reminded of the two worlds I inhabit: business and writing. In part this is because two of Ishiguro’s novels, Remains of the Day and Never Let Me Go, each juxtapose at least two worlds, with breathtaking emotional effect and power. In Remains… Continue reading The serious business of fiction
Daniel Goodwin 